Pride or Shame: What Is Behind Funke Akindele’s AMVCA Snub?



Funke Akindele’s experience at the Africa Magic Viewers' Choice Awards (AMVCA) has left many fans and industry observers speculating about her decision not to submit any of her movies for nominations in 2025, despite releasing notable projects like Everybody Loves Jenifa and Finding Me. Last year, her film A Tribe Called Judah didn't bag any awards, with Breathe of Life taking the spotlight. While it's not uncommon for artists to face disappointment at major awards, Funke's lack of submissions this year raises questions.

Despite her impressive track record as the most nominated actress/filmmaker at the AMVCA, holding the record for the most wins for an actress with six, Funke's decision not to submit films for the 2025 nominations is especially intriguing. Could this be influenced by a sense of shame, perhaps feeling embarrassed about showing up at the AMVCA with A Tribe Called Judah empty-handed? On the other hand, is it an act of pride, reflecting a belief that she should have won several awards for her work? Given her stature in the industry, it’s hard to ignore the possibility that she felt her contributions were underappreciated, and her decision could be a form of protest or withdrawal from the award scene.

However, there’s another layer to consider. By not submitting any films for 2025, Funke could be withholding not just recognition for herself but for her crew members as well. The act of submitting a movie for AMVCA nominations is not only about personal glory but about giving credit to the team that worked tirelessly behind the scenes. A nomination alone can be a significant source of pride for a cast and crew, offering them bragging rights and the recognition they deserve. By opting out of the submission process, Funke may have inadvertently denied her team the opportunity to share in the spotlight, further fueling speculation that her decision might have been more personal than professional.

While we may never know for sure what motivated her decision, it's clear that Funke Akindele's relationship with the AMVCA and the awards scene is complicated. Whether it stems from disappointment, pride, or a deeper sense of self-worth, one thing remains certain: her contribution to Nollywood continues to be undeniable, even if it isn't always acknowledged by awards bodies.

What do you think? Did Funke Akindele skip the AMVCA to avoid more disappointment, or is there something more at play here?

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